THURSDAY, FEBRUARY 11
Willow Place Auditorium
26 Willow Place, Brooklyn Heights
8pm
| Jason Brogan | some breaths |
| Paul Fraser | zzzzz |
| Taylan Susam | mille regretz |
| Ji Sun Yang | Melody, notes, five |
| David Kant | Variations for Functions and Partitions of Time |
| Samuel Sfirri | the undulating land |
| Somei Satoh | The Passion |
Paula Cooper Gallery
534 West 21st Street
8pm
S.E.M. Ensemble
Thomas Buckner, baritone
Petr Kotik, conductor
Program:
| Somei Satoh | The Passion (2009) |
| Petr Kotik | There is Singularly Nothing for instruments and voices (1973) |
ISSUE Project Room
232 3rd Street, Brooklyn
8pm
S.E.M. Ensemble at ISSUE Project Room
Performance of Petr Kotik’s
There is Singularly Nothing for instruments and voices (1973)
as a part of Darmstadt’s Essential Repertoire Festival
also on the program:
| Connie Beckley | Sound Split (1976) |
| Tiptoe (1979) | |
| Showdown (1976) | |
| “Blue” Gene Tyranny | Harvey Milk (Portrait from “How to Do It”/A circuit to help generate the feeling of meaning) (1978) |
| The White Night Riot (1979) | |
| Electronic sound pieces prepared by the composers (in attendance) |
Paula Cooper Gallery
534 West 21st Street
8pm
S.E.M. Ensemble (Conrad Harris, Pauline Kim, Gregory Hesselink , Max Mandel)
Petr Kotik, Director
Christian Wolff, special guest
TimeTable Percussion (Alex Lipowski, Matthew Gold, Matt Ward)
Program:
| Christian Wolff | Flutist (and) Percussionists(2003) |
| For John / Material (2007) | |
| Petr Kotik | In Four Parts (2009) (Premiere)\ |
| 3, 6, & 10 for John Cage (2009) | |
| J.S. Bach | Sonata in B-Minor (circa 1720) |
| Lejaren Hiller | String Quartet No. 5 I (1962) |
Auditorio Nacional de Música
Sala de Cámera, Madrid
7:30pm
Ostravská banda
Daan Vandewalle, piano (Ghent)
Conrad Harris, violin (New York)
Arne Deforce, violoncello (Ghent)
Petr Kotik, conductor (Ostrava/New York)
Program:
| Galina Ustvolskaya | Grand Duet for Cello and Piano |
| Duet for Violin and Piano | |
| Composition No. 1 | |
| Symphony No. 4 | |
| Symphony No. 5 |